The Scrapbook

I last blogged about Eloise Jordan in “Just Maine Folks.”  Research on granite quarries, civil defense, and fallout shelters interrupted my progress, but as I’ve paged through digitally scanned decades of Lewiston newspapers, I’ve kept my eyes open for traces of the local writer.

My research stalled out in 1961; as I looked through the December 2, 1961 Evening Journal, I noticed it was a Saturday edition, the day the paper featured Jordan’s weekly column.  It was the beginning of the Kennedy era and the Cold War was heating up.  The Federal Reserve, according to an Associated Press article, gave permission for commercial banks to offer savers 4 percent interest.  Ward Brothers, the elegant clothing store formerly located on Lewiston’s main thoroughfare, was selling ladies London Fog brand all-weather coats for $32.50.  “Can you think of a more practical gift?” asked the advertisement.

The paper featured a long feature by Jordan titled “First Parish Church of Portland is Edifice of Notable Features” and although she doesn’t note her sources, it included a historical timeline dating back to the congregation’s establishment in 1674.

Also in Saturday’s usual spot was Jordan’s weekly column, this one titled “The Scrapbook.”  Jordan reflects on a scrapbook she’d owned since her youth.  What’s interesting and odd about the column, which you can read here, is her use of the first person to write about herself in the third person.

“A little girl I used to know who had ‘Dutch-cut’ auburn hair, a longing to be an author, and a penchant for cats, treasured a scrapbook when she was a child that was filled with newspaper and magazine clippings…”

Apparently, the scrapbook was a discarded notebook “which originally belonged to her lumberman father” and the date “1911” was written inside.  Jordan writes that the little girl’s mother started the scrapbook for the little girl “long before she was old enough to make it for herself.”

Jordan’s technique, writing about her younger self as an outside observer, sounds awkward and self-conscious today.  We’ve grown accustomed to reading first person narratives.  After all, isn’t that what a blog is?

Technique aside, this is an important column because it reveals some of Jordan’s early literary influences.  She says the scrapbook included an article by earlier Evening Journal columnist Mabel S. Merrill.  “She did not know Mabel Merrill then and it was many years before the lady with the pen became the little girl’s intimate friend.”  The scrapbook also includes clippings from other Evening Journal writers and “verses of many kinds adorn the pages…”

The column reiterates her “penchant for cats” with an “illustrated poem showing a distracted mother cat and her three roguish kittens going through daily events in the fashion of people and much like the delightfully pictorial cats on foreign postcards.”

Finally, the column ends with a reference to the scrapbook’s last pages.   Jordan says it’s “another invaluable article” about Richmond Island off Cape Elizabeth “which is treasured by the little girl whose family’s roots were there.”

From a research perspective, this column is rich with clues about Eloise Jordan both as an individual and an archetype.   The influences and themes in this column, such as her lumberman father, cats, poetry, and her Daughter of the American Revolution roots, will occur again in her columns and features.

It would be easy to conclude Eloise Jordan was a lonely spinster, the equivalent of today’s “cat lady.”  Typing and toiling in her moth-eaten fur coat, Jordan was 54 year’s old when she wrote “The Scrapbook.”

Truth be told, I have “mixed emotions” about Eloise Jordan’s writing.  I don’t know if her “story” is one worth telling.  Maybe she’s just a footnote in an old book destined for the library’s next book sale.  Or maybe she’s part of a larger truth which has been peppered with ugly lies over the years.

Let the research continue, as I don’t think I’ve arrived at the end of the “scrapbook” yet.

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Living in These Days

In January, I began writing a series of articles about the Basilica of Saints Peter and Paul in Lewiston.  It’s a year-long project which will end in October.  It’s interesting and if I did not already have a full-time job, it would be the perfect project for me.  I spend my spare time searching and researching for obscure facts in old newspapers, French journals, and (of course) the internet.  I’ve learned a lot and I enjoy the time I spend in the past; nevertheless, every Monday morning I wake up and anxiously survey the material I’ve collected and wonder if I can cobble together enough interesting information to churn out 500 or so cogent words.

Did I say it’s making me anxious?  I try not to discuss it with anyone I know, lest I’m given the usual sympathetic bromides like “you need to take better care of yourself,” and “find what brings you joy instead.”

Then, of course, there is the response “I saw a book on Oprah the other day…”

During my research time last night, I had a strange moment of “there is nothing new under the sun.”  In the late 1950’s, folks were worried about the Russians, nuclear missiles, and building backyard fallout shelters.  Some proponents thought the federal government should be more involved in the bomb shelter business, while others wanted to see the matter handled on a state and local level.

The nation was anxious.

As you can see from this column in the February 19, 1957 Gadsden Times, feel-good bromides were never far away.

Dr. Franklin was an Alabama Methodist minister.  He died on December 13, 2002 after a long life of service to the United Methodist Church and Birmingham-Southern College.

The book Dr. Franklin recommended as “one of the best books I have ever read concerning anxieties, worries and fears” was by Dr. Leslie Weatherhead.  Weatherhead  wrote many books in the pop-psychology and theology genres, but my favorite is The Busy Man’s Old Testament.

Dr. Franklin doesn’t provide a compelling case for Weatherhead’s book in his 200 or so words.  Let’s hope this week’s Basilica piece is more thrilling than this “book review.”

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The Lunkheads

Back when I used to post links to my blog posts on Facebook, I would sometimes get three or four “likes” within 30 seconds of posting the link on social media .  This puzzled me because my blog posts run anywhere from 300 to 500 words or more.  It takes me about 63 seconds to read 300 words.  And that’s not including stops for comprehension.

What was being “liked” in less time than an average reader could read the blog post?  Was it the picture included with the content, which Facebook would preview with the post’s headline?  Or was it the “keep up the good work” effect?  Did my Facebook friends think I needed support?

It was unsettling, so I stopped using Facebook to promote my blog.  Writers like it when their work is read, lunkheads.

A few weeks ago, I visited the Maine Historical Society’s library.  Spending several hours in this oasis of quiet and written things was a special treat.  I was able to study the actual typewritten profit & loss statements of a now-defunct business, read old letters written by their employees, and analyze other company documents someone thoughtfully saved.  It was a fascinating puzzle.

While making a request for additional research material, I asked the librarian (jokingly) if she looked forward to a day when robots would fetch manuscript boxes and catalogue information.  My attempt at humor fell flat; she gave me a puzzled look and then relayed her absolute confidence in the superlative expertise of the human being.

The research library is a place from another time, a destination “of the old school.”  The written word, or the literary tradition, has taken a hit in the last decade.  Marshall McLuhan, the noted philosopher and media theorist, once said

“the future of the book is the blurb.”

Had McLuhan lived to see the creation of the internet, one wonders if he might have said “the future of the book is the emoticon.”  Or “the like.”

It’s been a while since I’ve written one of “these types” of blog posts.  You know; a despairing ramble about post-modernity, the culture’s disdain for rational thought, and the restless lawlessness stalking the digital and physical landscapes under the guise of “democracy.”  What was the old quote…opinions are like noses, everyone’s got one?

How in the world did we become such a self-assured and often-wrong society of noses?

On an unrelated topic, there will be no post this Thursday.  Research, reading, and attempts at rational writing will resume on Monday, April 17.

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The Chimes of Time

The John Marshall and Alida Carroll Brown Research Library, tucked away behind Portland’s Longfellow House, is a treasury of books, manuscripts, photographs, and ephemera.

Many of the library’s visitors come to do genealogical research.  A video posted on the library’s website tells the story of a member who initially visited with a goal to establish the lineage necessary to become a member of the Daughter’s of the American Revolution (DAR).

The DAR was founded in 1890; this was a time of patriotic revival following the United States’ Centennial.  It was also a period that witnessed the explosion of women’s clubs.

To join the DAR, a woman 18 years of age or older is required to prove lineal, bloodline descent from an American Revolutionary War ancestor.  Various types of war service is considered acceptable, including military or naval service performed by French nationals in the American theater of war.

I’ve never thought much about the DAR; I don’t think I’d be qualified to join, but you never know.  There might be a French sea captain somewhere in my lineage.

The library at the Maine Historical Society has a mantel clock which chimes the quarter-hour.  In my hurried visit last Saturday, I didn’t actually see the clock and the chime is unassuming.  Not an echoing bong or a celestial gong.  Just a gentle chiming sound, reminding those in the library that time is marching on.

Ding.  You know the drill.

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On Granite

When I’m working on a freelance story, my office looks like a disaster area.  There are two computers running and one of them will have ten or twelve browsers open.  Books are all over the floor with handwritten notes stuck between the pages.  There’s information in my phone, too, usually in the form of images I’ve taken from my forensic research.  This weekend, that included the Maine Historical Society and a flower show, both in Portland, and then a half-mile hike into a quarry in North Jay.

Into this mix, throw a few existential ruminations.  Questions like “how does our culture find equilibrium between technology and spirituality” and “how do we rescue ourselves from the soul-killing nature of automation and technology?”  Maybe “does it even matter?”

Fortunately, I’m researching granite and thinking about the stones of antiquity.  Patrick Perus, CEO of Canadian stone company, Polycor, said in a September 16, 2016 video announcement of the company’s acquisition of Rock of Ages and Swenson Granite, “stone has been a modern product since the time of Jesus Christ.”

Polycor now owns the North Jay granite quarry.  “North Jay White” was the stone used to build Grant’s Tomb in New York City, the Portland (ME) City Hall, and the Penn Mutual Life Insurance Company building in Philadelphia, as well as the Basilica of Saints Peter and Paul in Lewiston Maine.  Legend has it that the Basilica was built with 515 train car loads of granite.

George Otis Smith, in the introduction to T. Nelson Dale’s 1907 book The Granites of Maine, wrote “Areally, granite is perhaps the most important rock in Maine.  Slates, schists, sandstones, and limestones of various types occur in the different sections of the State, but the mounts and hills of the interior and the islands and headlands of the coast for the most part all exhibit slopes and cliffs of massive granite.”

New Hampshire isn’t the only “granite state.”

When you think about these ancient stones in the grander scheme of things, most of our daily worries are insignificant.

The following video, also available on the Polycor website, was particularly profound to me.  In this short piece, Swenson Granite Company’s Chairman of the Board Kurt Swenson talks about the bittersweet nature of his family business’s demise.

“It outlives us.  Granite has eternal life, if you look at it that way,” said Swenson.  “ I’m on my way out.  This is going to be here forever.”

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Just Maine Folks

Over two weeks have passed since my last biographical sketch of Lisbon writer Eloise Jordan.  In this last post, it was June, 1924 and Jordan had just graduated from Lisbon High School.  I’m a person who enjoys things in chronological order, but I’ve found that digging through time is not always so orderly.

This week, while browsing through the Maine books at the Lisbon Community Library, I found a ragged volume called Historic Churches and Homes of Maine, published in 1937.   Skimming through the essays, I noted a number of the houses and churches were ones about which Eloise Jordan would later write in her Lewiston Evening Journal Magazine features.

In discussing Jordan’s volume of work with a member of the Lisbon Historical Society, we both wondered “where did she source her material?”  The journalistic style of her era, apparently, did not require quotes and sourcing of documents.  So as I fanned through the pages of Historic Churches and Homes of Maine, I thought I might be able to find some of Jordan’s sources.  I even considered it might be a “gotcha” moment and I would uncover whole paragraphs of Jordan’s material “lifted” from the works of other writers.

Later that evening, I finished reading about Damariscotta’s Cottrill House and turned the page to find “A Spire Against the Sky” by Eloise Jordan.  It was a short essay about the Webster Corner Church, once located on the outskirts of Lisbon Falls.

Remember, it’s 1937.  Jordan graduated from Simmons in 1932 and her mother died in 1934.  Wasn’t she busy working for her father?  In an April 29, 1950 feature about her father for the Lewiston Evening Journal Magazine, she wrote “I traveled with him constantly, driving the car when he was on crutches with an injured foot, keeping accounts, and looking after his business when he was ill.”  When did she find time to write?

The Maine Writers Research Club had published a number of other books, including:

  • Maine, My State, published in 1919,
  • Just Maine Folks, published in 1924,
  • Maine: Past and Present, published in 1929, and
  • Maine Indians in History and Legends, published in 1952.

The introduction to Maine, My State notes the book was “composed of a group of Maine women, concerned in Maine historical matters…”

An essay titled “My Debt to Maine,” by “Colonel Theodore Roosevelt” contributed to the cachet of Maine, My State, noting he “responded to a request for a contribution to this book, by sending the story, and the manuscript, written in pencil by his own hand, is a priceless treasure.”

The introduction further explains “Great care has been taken to make this school reader accurate historically, as well as attractive in its semi-story form.  It has been the careful work of two years and a labor of love, with no thought of gain.”

Maine, My State also included a poem contributed by John Kendrick Bangs titled “The Pine.”

Many of the notable women writers who contributed to Maine, My State would also contribute to Historic Churches and Homes of Maine, including Ella Matthews Bangs, Mabel S. Merrill, and Mary Dunbar Devereux.

An article in the December 18, 1924 Lewiston Evening Journal praised the publication of the club’s book Just Maine Folks, considered a companion to Maine, My State.

“All lovers of Maine will find it good reading and to those who have gone forth from the State it will come as a doubly welcome gift, reminding them of the talent and genius Maine has contributed to the world and strengthening their pride in their native state.”

Is it time for the coffee pause?

What kind of club was the Maine Writers Research Club?  When was it founded?  What was its purpose?  It had the prestige to attract contributions from well-known writers and celebrities from beyond the borders of the state.  Was Ella Matthews Bangs related to John Kendrick Bangs?

Was Eloise Jordan a member of this club?  Who wrote her letters of introduction?

So many questions and so much research remains.

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The Faded Frito and Other Food Infamies

Last week, after finishing the Joy of Cooking biography, I was inspired to cook with gusto.  I stirred up a pot of chili and planned to serve it “street food” style over bags of Frito corn chips.  It had been a while since I’d had the corn chip, invented by Texas entrepreneur Charles Elmer Doolin in the 1930’s.  I remember them being salty, greasy, and corny.

The chili was good, but the Fritos were, sadly, dull and listless.

I was disappointed.  Handy was disappointed; we even made an impromptu batch of chocolate cookies with crushed Frito dust thrown in.

They were nothing to blog about.

Nevertheless, this minor kitchen disappointment wouldn’t keep me down for long.  In my internet travels researching Joy of Cooking, I’d found an interesting food blog, dedicated to promoting the ideals behind the long-popular gastronomic tome.   The recipe was “Little Acorn Squash Macaroni & Cheese” and although the blog post began with a lengthy discourse about non-food topics, I decided to “coexist” with the opinions and drama of the blog writer because the ingredients sounded copacetic and who doesn’t like some kind of macaroni and cheese topped with buttery bread crumbs?

It was a soupy mess of squash, leeks, and ricotta cheese, saved only by the delicious crumbs on top.  Handy put on a good front and even ate seconds.

“Want some leftovers for breakfast?”

“Sure!”

He took his “to go” box with him and I went to bed with a sink full of mustard-yellow dishes.  Oh, the infamy of wasted time and wasted ingredients.

I woke up during the early morning hours with my head split in two; a squash-shaped shiv in my brain and my stomach churning from side to side.  I needed coffee, but I couldn’t get out of bed.  I texted Handy.

“Do you feel ok?  Do you have an upset stomach?”

“Not me.”

I asked for coffee and within 30 minutes Handy arrived with a delicious steaming cup. I propped my pathetic self on the pillows and he placed the cup of life-giving coffee into my hands.  I sipped carefully.  We talked about the possibility of a casserole causing such dire affliction and then Handy described how he had lifted the lid of the leftover box earlier that morning.

As he did, my stomach began churning again and I leaned over and barfed into the trash can.  There is no need to say more.  It was a day of food infamy.

It’s one thing to write about food; it’s quite another to prepare delicious food.  One does not necessarily lead to the other.  The shining moment in the whole food fiasco was waking up later in the day and finding the bland bag of Fritos was just the tonic I needed to restore my equilibrium.

Viva la Frito!

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Bitterly Beach

On Tuesday, it was sunny with temperatures in the 40’s.  It was a day for lazy perambulation and dogs at the beach.

On Wednesday, the temperatures dropped and the wind blew bitterly.

No dogs, no driftwood sculptors, no one.  It was the bitterly cold beach, or Bitterly Beach for short.

My kind of seascape.

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The Joy Review

My cooking experiences with a cookbook called Joy started when I bought a used spiral bound paperback edition published by New American Library under the “Plume” moniker.  It must have been in the 1990’s.  Only one recipe is tabbed; “Ginger Snaps” on page 662 of the chapter “Cookies and Bars.”  My friend Shelley tells me “Joy of Cooking was the very first cookbook I ever owned and it remains one of the few that I still consult—even in this digital age where everything is available online.”

Much has been written about this cookbook and its creator, Irma von Starkloff Rombauer.  Indeed, generations of cooks have put aside wonder and “asked Irma.”  The Wikipedia entry is legendarily accurate and there is a lovely picture of the ebullient author.  Its accuracy, in part, is due to the research and thoughtful writing of Anne Mendelson in her book Stand Facing the Stove, which was referenced frequently in the entry.

Mendelson, in her preface to the 1996 book, wrote “the oddities of this book reflect the fact that it took more than ten years to complete, not the year or so I naively expected when the Becker family gave me access to a vast hoard of documents and memorabilia stretching from the late nineteenth century to the time of Marion Becker’s death in 1976.”

Ten years.  That’s a long time to work with a “vast hoard of documents and memorabilia.”  Mendelson also interviewed numerous living Rombauer and Becker relatives.  In the end, she put together an important analysis of American cooking over the last century.  Any aspiring “food writer” should read it to better understand home cooks, cook books, and cooks who read about food.

Mendelson includes two chapters within the Rombauer/Becker story, “Chronicles of Cookery 1” and “Chronicles of Cookery 2” and calls them “two long pauses in the narrative” for a distilled history of 20th century cookery and cook bookery.

These “long pauses” were apparently too long and too detailed for the Amazon book reviewer who said “This is probably one of the most boring books I have ever read…I really thought the story behind the book was going to be interesting but the way that it was written is more like a history book.”

I laughed when I read this one-star review.  Was the “reviewer” expecting a Hollywood treatment, something simmered down into an attractive Nora Ephron stock, a la Julie & Julia?  The story of Joy of Cooking is complex and the drama more nuanced.  The reviewer may have missed the following rather gothic and pivotal turn of events early on in Mendelson’s book (page 81), the moment that would lead to the creation of the cookbook:

“Some time later Elsie Holtman, the housemaid, who had paid no attention to a sound like a car backfiring, answered the phone.  It was the downstairs neighbors, who had suddenly noticed blood dripping from the ceiling.”

That was on Monday, February 3, 1930.  Irma Rombauer had gone out shopping and her husband, Edgar, shot and killed himself.  This event would change her life and the life of her family forever.

I’ll admit, I struggled with the book in the beginning.  I put it down and I picked it up.  I put it down again.  I contemplated forcefully heaving it into another room.  I didn’t fall in love with the characters and I couldn’t identify with the St. Louis Deutschtum class into which Irma Rombauer was born.  I had to go back and re-read certain sections of the book.  I tabbed and underlined.

And mostly, I learned.

Anne Mendelson, in her preface said, “What is remarkable about Joy is that it was brought into being and continued by individuals.”  What she further delineates is that these same individuals were raised within a culture that practiced traits of Lebenskϋnstler, a difficult to translate German word which roughly means to practice artistry or “life artist.”

Unlike other similar corporate cooking compendiums such as The Betty Crocker Cookbook, Joy was created by a family.  Irma Rombauer’s daughter, Marion Rombauer Becker, does not have a Wikipedia entry, but you can read a fitting homage to her here, at the official website of Joy of Cooking.

Becker had creative talents and aspirations of her own which she tended in her lifetime, but ultimately, her life’s work was the perfection and continuation of her mother’s offering to the cooking universe.  Becker preferred living outside of the limelight as much as her mother, Irma Rombauer, loved being in it.  What comes through in Mendelson’s book is Becker’s passionate dedication to making the cookbook ever-better with each printing and each revision.

Happily, Joy of Cooking is still a Becker family affair and the work continues with similar dedication.  Marion’s son Ethan Becker remains involved, as does Ethan’s son and daughter-in-law John Becker and Megan Scott.

The website is informative, there are occasional recipes shared, and there’s even an I-phone app available for download which features the contents of the 2006 Joy edition.

Three cheers and five stars for Anne Mendelson, who toiled for 10 years writing Stand Facing The Stove.  Her detailed and well-researched volume is the historical summary and synthesis of what is known today about the individuals who created one of the 20th century’s most reached for cookbooks.  Almost every article written about the Joy or the Rombauer/Becker collaboration is a distillation of Mendelson’s 1996 work.

If “boring” and a one star Amazon review is the fate of well-done historical research, please…let me be boring!

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The Joy of Snowing

I recently finished reading Anne Mendelson’s 1996 book Stand Facing the Stove.  It’s a dense and interesting biography of Irma S. Rombauer, Marion Rombauer, and the cooking compendium they created, Joy of Cooking.

I picked up the book to learn about the food writing of the last 100 years.  Mendelson’s well-researched volume did not disappoint.  We meet Julie Child, James Beard, and Cecily Brownstone.  We meet two women, mother and daughter, who write and re-write the book that is most likely in your kitchen right now.

Tuesday’s blizzard was more like the joy of snowing and in this regard, I’ve spent a few hours flinging the flakes around.  My writing schedule is out of sorts and I’ve run out of time for a thoughtful composition about this amazing story.

Stop back here Monday when I revise this post and tell you more about the big book which begins with “Cocktails” and the big personality of Irma S. Rombauer who opens up an earlier edition with these cheery words.

“The chief virtue of cocktails is their informal quality.  They loosen tongues and unbutton the reserves of the socially diffident.  Serve them by all means, preferably in the living room, and the sooner the better.  They may be alcoholic or nonalcoholic.  For the benefit of the minority serve the latter with the former.”

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